Join our January Brigade

Posted by Patty Osborne

mud for websiteWe are pleased to announce the dates for our January 2018 Brigade.

From January 20 to Feb 3, brigadistas will travel throughout rural Nicaragua, visiting pottery workshops, learning about our ceramic filter project, buying pots and getting their hands dirty.

The cost is $1800US which covers all travel, accommodation and meals within Nicaragua.

Registration is now open. Visit our Brigade Page for more information. You can download an orientation packet and a registration form there.

Don’t miss this opportunity to experience the beauty of Nicaragua and the warmth its people!

Adamah’s Whimsical Weekend Workshop

Posted by Patty Osborne

Six participants joined potters Migdalia de Sorcorro Perez Munoz and Angela Munoz Hernandez of Loma Panda, Nicaragua, for a two-day workshop making innovative ceramic figures. The workshop was held at Adamah Art Studio at Bethel Horizons in Wisconsin.

group

Midgalia and Angela demonstrated how to make their signature dolls (including mermaids!) with movable arms and legs as well as lizards, armadillos, frogs, turtles, and even some imaginary critters.

Working on animal parts (left) and assembling a doll (right).

The participants were fascinated with the process and were eager to try it out themselves.They spent time collaborating with each other, sharing ideas and creating their own unique figures. Most of the participants did not speak Spanish but they found a common language in clay and creativity.

gallo-pinto

Getting ready to cook gallo pinto and s’mores. Yum!

Migdalia and Angela also built a small wood-fired stove on which they cooked gallo pinto (rice and beans), which is a Nicaraguan staple, and s’mores, which, to some, are a North American staple!

Migdalia and Angela examining the soda-fired pots.

Migdalia and Angela examining the soda-fired pots.

After the workshop, Migdalia and Angela stayed at Adamah and attended a Soda Firing Workshop with Guillermo Cuellar and Ric Cox. In Loma Panda, Migdalie and Angela use colored slips for decoration and they burnish their work to a high shine before firing it once in a small, wood-fired kiln. Being able to participate in a soda firing was an excellent opportunity for them to try out new techniques that they will no doubt adapt to their needs once they get home.

big group

The soda-firing gang.

Loma Panda is one of the workshops that the annual Potters for Peace brigade visits. Here’s a great video about the potters of Loma Panda, the area in which they live, and their thoughts on visiting Adamah:

Join our August Work Brigade

Posted by Patty Osborne

DATES: August 21 to August 30, 2017
COST: $900 if registered by June 15, $975 after June 15

Join Potters for Peace for a 10-day Work Brigade to Loma Panda, Nicaragua. Loma Panda is a very small mountain settlement located in the municipality of San Lucas, in the department of Madriz. It is in northern Nicaragua, near the Honduras border and it is VERY remote.

The potters of Loma Panda.In Loma Panda, we will work with a women’s ceramic cooperative.  This special group of women is famous for creating whimsical figures and ceramic dolls with movable parts. We will spend most of the week helping them replace the deteriorated roof over their studio. Halfway through the week we will take a break and travel to Canon de Somoto, for a swim and to take in the breathtaking scenery.

All tools will be provided and no special experience is required. The tentative brigade schedule is as follows:

  • Aug 21  Arrival in Managua
  • Aug 22  Travel to Loma Panda
  • Aug 23 – 28 Rebuilding roof in Loma Panda with a mid-week break to the Somoto Canyons
  • Aug 29  Return to Managua
  • Aug 30 Departure day

Download our orientation packet.
Download our registration form.
Contact Robert Pillers (robert@pottersforpeace.org) for further information about brigade activities.

Water filters finally make it to Camaguey, Cuba

Posted by Patty Osborne
Ron Rivera in one of the many countries he provided technical assistance for setting up filter factories.

Ron Rivera in one of the many countries he provided technical assistance for setting up filter factories.

It took more than a decade to produce water filters in Camaguey, Cuba, even though the province has a long tradition of making ceramics. In 2000, two Cuban representatives visited Ron Rivera in Nicaragua, learned all they could about filters and filter factories, and returned to Cuba to get things going. Then bureaucracy got in the way.

Read the full article at Havana Times. Here are links:

http://www.havanatimes.org/?p=124606   english

http://www.havanatimes.org/sp/?p=122768  spanish

Visit our exhibition and sale at NCECA Portland

Posted by Patty Osborne

If you are attending NCECA or if you are in the Portland area between March 22 and March 24, be sure to visit the Potters for Peace show!

CLAY as our COMMON LANGUAGE

Tea bowls. Left, Warren McKenzie. Right, Scott Frankenberger.

Tea bowls. Left, Warren McKenzie. Right, Scott Frankenberger.

An exhibition and sale of work by over 50 artists from the US and Nicaragua.

Wednesday, March 22 – Friday, March 24
10am – 5pm daily
Eastlund Hotel, 1021 NE Grand Avenue
6th floor, Perle & Galena Room
right across the street from NCECA
Closing Reception
Friday, March 24
5pm – 8pm

Proceeds from this sale will support our work around the world.

Thanks to all the artists who donated their work.

Upcoming Gallery Show in Portland during NCECA (March 22-24) – updated artist list

Posted by Abby Silver

Potters for Peace is proud to host an exhibition and sale during the 2017 Portland NCECA.  The show, titled Clay As Our Common Language will feature work by over 50 artists from around the US and Nicaragua.

Truitt-Border Wall VII 001 - CopyJennifer Mally - Copy

Border Walls VII by Penny Truitt                         Untitled by Jennifer Mally 

The show will be at the Eastlund Hotel, 1021 NE Grand Ave. in the Perle & Galena room on the 6th floor, open from 10am-5pm Wednesday March 22 – Friday March 24 with a closing reception from 5-8pm on Friday.  The hotel is directly across the street from the Oregon Convention Center.

The following artists will be featured:

Adrienne Stacey; Angela Clark; Ash Kyrie; Barbara Reinhardt; Calvin Ma; Carlos Lopez & Luisa Blas; Cathi Newlin; Craig Martell; Dale Donovan; Dave Gamble; Dee Schaad; Dick Lehman; Dominique Ellis; Don Hall;  Donna Williams; Doug Hanson; Erika Sandana; Fred Hamann; Guillermo Cuellar; Haddie Hadacheck,; Jan Schachter; Jeff Noska; Jennifer Mally; Jim Nulty; Jimmy Clark; Joan Chihan; John Glick; Joseph Kowalczak; Linda Arbuckle; Linda Christianson; Lynn Wood; Macy Dorf; Malia Landis; Maria Spies; Migdalia Munoz; Mika Seeger; Norman Calero; Pamela Quyle; Penny Truitt; Peter Chartrand; Richard Notkin; Rick Hintz; Rick Mahaffey; Roger Calero; Sandra Blain; Scott Frankenburger; Simon Levin; Steve Branfman; Steve Earp; Steve Smith; Susan Greenleaf; Thomas (Bud) Skupniewitz; Tim See; Tom Colman; Tony Natsoulas; Warren MacKenzie; Wesley Wright.

Clay as Our Common Language: Milia Landis

Posted by caron bressan

This gorgeous piece will be for sale at the Potters for Peace exhibition and sale at NCECA 2017.

Milia Landis

The show is called CLAY AS OUR COMMON LANGUAGE.

Here are the details:
Eastlund Hotel, 1021 NE Grand Avenue, Portland
in the Perle & Galena room on the 6th floor
Wednesday, March 22 – Friday March 24, 2017
10 am – 5 pm
Special closing reception will be on Friday from 5 pm –8 pm on Friday
The Eastlund Hotel is directly across the street from NCECA

Thanks, Milia Landis, for your generous donation. Money raised will support Potters for Peace programs.

Brigade 2017: Working and Playing

Posted by Patty Osborne

MONDAY: The brigade stopped at La Maysuta and “played in the mud” and then it was on to Santa Rosa where we had enough time to lay out the base of a new kiln before ­stopping for dinner and then retiring to our homestays.

Laying the foundation.

Laying the foundation.

TUESDAY: We built a little kiln designed by Douglas— The “Mani Nahum” — at Santa Rosa. When we ran out of bricks, we visited the brickyard in Mozonte where they throw 60 lb flowerpots on the kickwheel.

Finished!

Finished!

WEDNESDAY: We headed to Loma Panda and after a long steep walk we watched a doll-making demo and ate a delicious lunch.

Making dolls at Loma Panda.

Making dolls at Loma Panda.

THURSDAY: This was our final day in el campo and we had worked hard so we relaxed in Somoto Canyon, a new tourist attraction that features a boat ride, swimming and tubing in the warm, clear canyon pools, and an optional horse ride on the way back. We spent the night at Laguna de Apoyo where we swam in the clear deep lake water and then it was back to Managua and our flights home.

Relaxing in Somoto Canyon.

Relaxing in Somoto Canyon.

 

Brigade 2017: We got ‘er done!

Posted by Patty Osborne

FRIDAY: In spite of being without power for a few hours, we still managed to get the large shed totally welded up and painted, and put chimneys on two of the kilns. If we can get some consistent power, we have a shot at finishing on time.

saturday

SATURDAY: We finished the big kiln shed and completed welding the frame on the small one. Alvaro, Carlos and Douglas (the young ones) put in twelve hours and the rest of us put in ten. When we got back to the hotel we had a special treat—ibuprofen all around.

saturdayall

 

SUNDAY: We got ‘er done! Painted and got the roof on the second kiln shed, put a chimney on the third kiln, and built a little retaining wall to keep the water out. Tired, sore, and happy!

sunday2

—submitted by Robert Pillers

Brigade 2017 report from Ducuale

Posted by Patty Osborne

This week the 2017 Brigade is building a new kiln shed at Ducuale because the previous shed collapsed in the heavy rains. This time the shed is being framed with metal which should last a good long time. On Day 1, the brigade completed most of the framing.

framing-shed

On Day 2 they lost power for most of the day so—no welding! Instead they decorated pots for smoke firing, did demos and played on the kick wheels. They also cut out all the horizontal roof beams—by hand.

In the photo below, a brigadista is painting a slip decoration onto a burnished, once-fired bowl. The bowl will be smoked in a small kiln and the unslipped clay will turn dark brown. When the slip is washed off the bowl after the second firing, the  decoration will show in a contrasting orangey-brown color. This method of decorating is unique to Ducuale.

decorating-pot

Clay as Our Common Language: Doug Hanson

Posted by caron bressan

Here’s a preview of one of the pieces that will be for sale at the Potters for Peace exhibition and sale at NCECA 2017. Doug Hanson is a long-time supporter and board member of PfP.

Doug Hanson

The show is called CLAY AS OUR COMMON LANGUAGE. It will be open through Friday March 25 so get there early for the best selection.

Here are the details:
Eastlund Hotel, 1021 NE Grand Avenue, Portland
in the Perle & Galena room on the 6th floor
Wednesday, March 22 – Friday March 25, 2017
10 am – 5 pm
Special closing reception will be on Friday from 5 pm –8 pm on Friday
The Eastlund Hotel is directly across the street from NCECA

Thanks, Doug Hanson, for your generous donation. Money raised will support Potters for Peace programs.

Clay as Our Common Language: Dick Lehman

Posted by caron bressan

Here’s another preview of one of the donated pieces that will be for sale at the Potters for Peace exhibition and sale at NCECA 2017.

Dick Lehman

Dick Lehman

The show is called CLAY AS OUR COMMON LANGUAGE.

Here are the details:
Eastlund Hotel, 1021 NE Grand Avenue, Portland
in the Perle & Galena room on the 6th floor
Wednesday, March 22 – Friday March 25, 2017
10 am – 5 pm
Special closing reception will be on Friday from 5 pm –8 pm on Friday
The Eastlund Hotel is directly across the street from NCECA

Thanks, Dick Lehman, for your generous donation. Money raised will support Potters for Peace programs.

Clay is Our Common Language: Guillermo Cuellar

Posted by caron bressan

Here’s another preview of one of the donated pieces that will be available at the Potters for Peace exhibition and sale at NCECA 2017 in Portland.

Guillermo Cuellar

Guillermo Cuellar

The show is called CLAY AS OUR COMMON LANGUAGE.

Here are the details:
Eastlund Hotel, 1021 NE Grand Avenue, Portland
in the Perle & Galena room on the 6th floor
Wednesday, March 22 – Friday March 25, 2017
10 am – 5 pm
Special closing reception will be on Friday from 5 pm – 8 pm on Friday
The Eastlund Hotel is directly across the street from NCECA

Thanks, Guillermo Cuellar, for your generous donation. Money raised will support Potters for Peace programs.

Clay is Our Common Language: Adrienne Stacey

Posted by caron bressan

Here’s a preview of one of the donated pieces that will be available at the Potters for Peace exhibition and sale at NCECA 2017.

Whirly Gigs, Walnut and Persimmon

Whirly Gigs, Walnut and Persimmon by Adrienne Stacey

The show is called CLAY AS OUR COMMON LANGUAGE.

Here are the details:
Eastlund Hotel, 1021 NE Grand Avenue, Portland
in the Perle & Galena room on the 6th floor
Wednesday, March 22 – Friday March 25, 2017
10 am – 5 pm
Special closing reception will be on Friday from 5 pm –8 pm on Friday
The Eastlund Hotel is directly across the street from NCECA

Thanks, Adrienne Stacey, for your generous donation. Money raised will support Potters for Peace programs.

Our annual brigade will help out after heavy rains damage Ducuale’s kiln shed

Posted by Patty Osborne

Before we had solidified our plans for our annual Brigade, we got a call from the potters of Ducuale who told us that heavy rains had knocked down their kiln shed. The shed is a simple wooden structure that holds up a clay tile roof. The potters at Ducuale managed to prop the roof back up, but it’s in a precarious state and needs to be replaced before the next rainy season.

kiln shed at Ducuale

Left: kiln shed propped up with random poles. Right: closeup of damage to beam and post.

XXXXX of Ducuale decorates a pot using a mixture of slip and ash.

Doña Wilma Guavara of Ducuale decorates a pot using a mixture of slip and ash.

Because of Ducuale’s urgent need, we have decided to change our Annual Brigade, which usually tours around the country visiting the small potteries that Potters for Peace works with, into a partial “work brigade.” This means we will spend about half our time rebuilding the Ducuale kiln shed (and learning about their unique method of decorating their pots), and the rest of the time touring around and visiting other potteries as well as the town of San Juan de Oriente, the “village of pottery,” where it seems like every inhabitant is a potter.

If you want to help out at Ducuale AND meet potters in the remote Nicarguan countryside, you will really enjoy this brigade. You’ll find all the details here.

How do we make our plans a reality?

Posted by Patty Osborne
peters place

Our annual meeting was held at the home of Peter Jackson (our chair) in rural Wisconsin.

The board of Potters for Peace has ambitious plans for expanding the Water Filter Project, and at our annual meeting in late October we brainstormed ways that we can make these plans a reality. We were helped in our deliberations by Gary Funk, who has experience with building strong boards and increasing fundraising.

Gary feels that our mission is meaningful and our work is of interest to the public and is therefore fundable. The key is to make stronger connections with donors and funders, and a good portion of our 3-day meeting was devoted to brainstorming ways to do this.

Gary pointed out that philanthropy is an integral component of economic development and Potters for Peace is part of this economic developments. Our work is not charity—we don’t make people dependent. A donation to Potters for Peace is an investment in economic development and empowering people.

In the coming months we will be stepping up our fundraising so if you’ve never donated to us, now would be a great time. If you’ve donated before, please consider increasing your donation this year.

Make your donation here.

 

Inspirational Words from Peter Seeger

Posted by Patty Osborne

In 1977 we sent Pete Seeger a standard fundraising letter and we received this letter back. Pete’s letter was posted on our blog back in Feb 2014 but we’ve brought it back in the hopes that his words might offer inspiration and guidance in these troubled times.

seeger-letter

Spotlight on a Factory: Filtrao Factory, Cote D’Ivoire

Posted by Patty Osborne

The Filtrao Factory (filtrao.org) was established by Kouakou Ahuié in Abidjan, Cote D’Ivoire on September 15, 2010. Ahuié started the project as part of the activities of an association called N-CHRIST, of which he is the founder and chairman.  The Filtrao filter project is a partnership between UNICEF and N-CHRIST.

ivory-coastAccording to Ahuié, their biggest initial challenges were figuring out the correct dosage of colloïdal silver to use, and finding someone qualified to build an appropriate kiln. Colloïdal silver is applied to the finished filter in order to provide an extra level of protection from bacteria. Filtrao asked for help from Mary Kay Jackson, who worked with Methodist Development Relief Services and Pure Home Water—two charitable organizations that focus on bringing potable water to the rural poor in Ghana. Mary Kay provided Filtrao with a formula that solved the issue, leading to certification of the Filtrao filter by the Cote D’Ivoire’s Institute of National Public Hygiene.

When Filtrao could not find anyone in Cote D’Ivoire who was qualified to build a kiln, Manny Hernandez, the designer of the downdraft kiln typically constructed for filter production, came from the US and built a “Mani” kiln for them. Now production seems to be going along smoothly at Filtrao.

Last year the Filtrao factory produced 3000 ceramic water filters, many of which were distributed in villages in Northern Cote D’Ivoire.

Current challenges for Filtrao include marketing and distribution of filters. However after completing a survey in our first Ceramic Pot Filter Community Newsletter, The Filtrao Factory was randomly selected as the winner of the US $500 Potters for Peace survey-participant award. Potters for Peace requested that the money be spent on factory improvement and/or filter marketing and promotion.

Filtrao spent a portion of the money on translation of a promotional video into French for use in a new marketing campaign.  In the video Fernando Mazariegos, the inventor of the ceramic pot water filter, talks about the origins, production and benefits of the filter.  Filtrao plans to put the remainder of the funds towards creation of a locally produced video about the filters made in Cote D’Ivoire.

Project Irrigation Pots

Posted by admin

We are happy to announce that we have started a new project with two communities near Jiquilillo in the department of Chinandega, Nicaragua. Recently, Doñas Lilliam and Rosa Alpedia from El Ojoche spent three days teaching eight women the basics of making irrigation pots, or cantaros. Cantaros are lidded vases that are buried in the ground amongst a group of plants. Each cantaro is filled with water which, over a few days, will seep out, thus watering the plants around it. This is an inexpensive, accessible and efficient way to keep garden plants moist and it is hoped that these pots will offer new marketing avenues.

Handbuilding irrigation pots.

Handbuilding irrigation pots.

Special thanks to our partners HERO and Monty’s Beach Lodge who have done so much for these communities.

Sharing skills, a guiding principle

Posted by Patty Osborne

Here’s a recent video showing a couple of excellent Nicaraguan pottery teachers sharing their skills with other communities. The video was made by young Nicaraguan journalism graduates. The “strong arm” that Douglas is using to help him center and open the clay while throwing was designed, built and donated by Marc Geiger (marcsstudio.com) of Fairmont, New York. It is primarily used in the throwing of large filter receptacles (over 2 feet high) because it speeds up production and reduces wear and tear on the bodies of the potters.

Sharing skills and equipment is a guiding principle of Potters for Peace.

Work Brigade 2016 – Day 6 (Sunday July 3)

Posted by Abby Silver

The finishing touches….Sun1

Built screens to sieve the clay to make a fine mortar to built the kiln roof.

Sun2

Kit and James are using the sieves.

Sun3

Took a walk and saw this pig on the road just taking a nap in a mud puddle!

Sun4

Grinding old bricks down into grog to add to the mortar. Yukky job!

Sun5

Constructing the roof to the kiln. Step 1: make a form from plywood and brace it up flush with the top of the kiln. Next, dip bricks in the hand-made mortar and stack them vertically on the form. Finally, place threaded rod around the bricks and tighten them together. The remaining slip was poured on top.

Sun6

A picture of the entire kiln and shed as of Sunday.

Work Brigade 2016 – Day 5 (Saturday July 2)

Posted by Abby Silver

The kiln shed gets a roof, and the kiln walls are done.Sat1

The kiln roof will be finished tomorrow.

Sat2

Carlos’s studio has a beautiful flowering tree full of butterflies.

Sat3

Oscar the stone carver in San Juan de Limay took the group on a hike up a mountain path. They found wild cloves. It was very beautiful!!  Took a group picture.
Sat4
A picture of the village of San Juan de Limay from the mountain top.

Work Brigade 2016 – Day 4 (Friday July 1)

Posted by Abby Silver

Another day, and more giant steps forward!

Fri1

Constructed the first half of the chimney today.  The challenge of tying the old kiln and the new kiln together in one chimney required some fancy brick work!

Fri2

Another view of the kiln and the first few feet of the new chimney. The finished chimney will be 11 ft tall.  Completed 4 feet today, hoping to finish the chimney tomorrow. We also still need to build the roof of the kiln.

Fri3

This is an overview of the entire project. You can see the new kiln shed, the old kiln built by Ron Rivera and the new kiln.

Fri4

Today there were two beautiful ducks in the river. This is where the group cools off every day; also the source for water to make mortar and clay.

Fri6

The group is spending time under the porch of the studio getting to know Carlos’s family.

Fri5

There is a large extended family and many beautiful young children.

Fri7

The men who are working on the shed finished constructing the frame today. Martin, Carlos’s brother, is teaching us how to lay roof tiles. We will start the roofing tomorrow and plan to complete the shed.

Work Brigade 2016 – Day 3 (Thursday June 30)

Posted by Abby Silver

The project is moving quickly ahead, and everyone seems to be having a ton of fun!

Thurs1

Don Hall is our master brick cutter! He is using a machete to custom cut bricks for the kiln.

Thurs2

The kiln is getting close to its finished height, the kiln shed now has all the trusses in place.

Thurs3

A wonderful lunch prepared by Carlos’s family: beef, rice, vegetable salad and tortillas.

Thurs4

More afternoon work on the kiln and the shed…finished the body of the kiln.

Thurs5

The group cooling off in the shade in the maximum heat of the day.

Thurs6

Taking a break to cool off in the river as well!

Work Brigade 2016 – Day 1 (Tuesday June 28)

Posted by Abby Silver

The work brigade arrived in Nicaragua on Monday June 27, and hit the ground running on Tuesday.

Tues1

 

Breakfast in Managua with the group.

 

Tues2

Buying food for the week at the local market

Tues3

Stopping at an overlook on the way to San Juan de Limay

 

Tues4

 

Tues5

Assessing the kiln sight at Ceramic colectivo la Naranja

Carlos decided to keep the original kiln and build the new kiln next to it. The two kilns will share the chimney. Our group split into two groups one to build the shed and one the kiln. We are building both at the same time.

The 2016 Brigade: my best brigade so far

Posted by Patty Osborne

This was my third brigade to Nicaragua and it seems that they just keep getting better and better. Our first day featured a visit to Filtron, a ceramic water filter factory where we tried out the filter press and watched an engrossing presentation on the PFP Ceramic Water Filter Program by our fearless leader.

In the pottery museum in Granada we saw the pre-Columbian origins of some of the forms and decoration that we would encounter throughout our trip, and at La Paz Centro we learned how to make both tortillas and comales (the traditional clay plate that tortillas are cooked in).

At Las Sabenetas we jumped right into a pile of wet clay and horse manure that we mixed with our bare feet and then used as mortar to build a traditional kiln. In San Juan de Limay we carved sandstone at the studio of the well-known carver, Oscar Enrique Casco, and were serenaded on guitar by a neighbour who happened by. At Ducuale we had a sort of pottery painting party: the artisans demonstrated their unique form of slip-resist smoked decoration and then they gave us bowls, cups and plates so that we could try out their techniques. Plus we got to take our finished work home.

We enjoyed homestays and delicious home-cooked meals at Santa Rosa, and we hiked up the steep washed-out roadway to remote Loma Panda, to see (and buy) some of the most innovative pottery in Nicaragua.

One of the cool PfP pins, handmade in San Juan de Oriente.

One of the cool PfP pins, handmade in San Juan de Oriente.

At every taller (studio) we visited we got our hands dirty—wedging, throwing and handbuilding—as we learned from the artisans and they learned from us. The trip was truly inspiring, plus we each got one of the first PfP pins (made in San Juan de Oriente). On our last night, as we stuffed our bags and suitcases with the pottery we had bought, we all agreed that the brigade had been unforgettable.

Here is a collection of photos from the trip. Click on the thumbnails to enlarge them.

 

 

Clean Water for Paraguay: You Can Help!

Posted by Patty Osborne

paraguayIn order to provide access to clean drinking water to over 100,000 indigenous villagers in Paraguay, PFP is partnering with Global Giving to help the TEMHA filter factory accomplish a critically-needed scale up. Please SUPPORT US!

We MUST complete our goal with GlobalGiving to continue partnering with them, so please DONATE! Don’t forget to SHARE!

The money raised for Project for Paraguay will allow the filter factory there to expand so that it can provide access to safe drinking water for over 100,000 indigenous villagers in Paraguay.

Check it out here: https://goto.gg/24052

Learn to make pots the Nicaraguan way, in Wisconsin on June 11, 2016

Posted by Abby Silver

Join Potters for Peace and Nica potter Carlos Silva at a one-day workshop at Adamah Clay Studios in the Madison, WI greater metro area.

June 11, 2016 | 9 am to 8 pm | Fee: $75
Adamah Clay Studios of Bethel Horizon
4651 County Rd ZZ, Dodgeville, WI
608-574-8100
This is part of the larger, week-long workshop: Beyond the Bauhaus

As part of the Beyond the Bauhaus Workshop at Adamah, Carlos Silva will give a one-day demonstration of his throwing and decorating techniques. Carlos lives and works in San Juan de Oriente, Nicaragua, a town that is famous for the refined ceramic work that is done there. Working with coloured slips, low-tech burnishing (using stones, pieces of smooth plastic, or whatever else can be found) and low-temperature wood firing, the potters of San Juan de Oriente produce pots that rival high-fired glazed ware.

In the evening a representative of Potters for Peace will give a presentation on the traditional potters of Nicaragua and the Ceramic Water Filter Project.

To register for this single-day event, contact Jennifer Mally at jennifer@bethelhorizons.org.

NICARAGUAN WKSP JUNE 11-flattened

Clay is our vehicle, not our destination: a message from our Nicaraguan Director

Posted by Patty Osborne

Two years ago, Potters for Peace lost the lease on our office in Managua. Rather than search for another office, we built a small workshop and storage area adjacent to our house in Ticuantepe. Our fully-equipped workspace has allowed us to make the potters’ wheels, worktables, and other tools and equipment our amigas need to improve their work.

Robert at the wheel.

Robert at the wheel.

Just over a year ago, we also set up a small pottery workspace with the intent of delving deeper into the unique pottery techniques practiced in Nicaragua. Immediately upon throwing a few pieces, I remembered how empowering it feels to mold a shapeless piece of clay to one’s will. How many times have I seen our amigas take this sense of empowerment outside their pottery workshops into their families and communities? It is so satisfying to watch their sense of self-determination grow and flourish!

The very poor often have not developed their planning skills simply because, as the Bible says, “sufficient unto the day is the evil thereof.” Planning for tomorrow is a luxury when you are struggling for your family’s survival today. However, ­pottery-making is a long, multi-step process. Digging and processing the clay, forming the piece, decorating, burnishing, firing, selling it: all require planning and foresight. The meditative, centering, contemplative nature of the work naturally generates a habit of focus and reflection. Entering the marketplace to sell your wares creates confidence in your ability to put a plan into action. With the constant practice of our craft, a new mindset blossoms, giving all of us the power to improve the future of our families, communities, and world.

Fortunately, our organization has inherited a unique working philosophy and methodology based upon Ron Rivera’s 40 years of experience working and living in solidarity with the poor. We do not offer charity to our amigas; we offer them empowerment and control of their own lives. The craft of pottery is an amazing vehicle for self-expression and self-development, but it is the method, not the goal.

Clay is our vehicle, not our destination. Potters for Peace is unique in the world in harnessing the power of our craft to bring our amigas to an habitual process of focus, vision, empowerment, self-determination and action that improves not only their own lives, but those of their children and wider communities. Thank you so much for supporting this important work.

—Robert Pillers

This article was published in our March 2016 newsletter. To read a PDF version of the entire newsletter click here.

PFP inspires 4th Grade Poet

Posted by Abby Silver

Board member Michael Standley gave a talk to several 4th grade classes in Portland OR about our filter and Nicaragua programs.   After the presentation about the water filter, he described how rural potters improve their lives by selling their pottery, and how we’ve worked with many generations of potters in the same family.  He told of the hardships involved, like having to dig their own clay, sometimes under cover of night, and carrying it home in gunny sacks.  He discussed how people cope with poverty.

Later that day, one of the teachers sent him this poem by student Sophia Steckler:4TH GRADE POEMsm

How Profit Can Power a Clean Water Program

Posted by Patty Osborne

Here’s an interesting model for a successful ceramic water filter distribution program.

ecofiltro-jar-2Like many social enterprises, Ecofiltro started out wanting to help the rural poor in Guatemala and elsewhere in Central America get access to clean water without much thought to making money. But CEO Philip Wilson soon realized that changing the entity into a for-profit company actually helped him realize his social goals. Want to know more? Watch a video, listen to the podcast, or read a transcript here.

El Calero-Day 4….SUCCESS!!!

Posted by Abby Silver

Four days of hard work pays off!  The completed kiln shed looks fabulous, and is built to last, with steel construction certain to thwart even the most hardy of termites!  Congrats to the whole crew!!!

Nov 27-a Nov 27-b Nov 27-c Nov 27-d Nov 27-e Nov 27-f

Until next time…..

A Tale of Two Nicaraguan Piggy Banks

Posted by Patty Osborne

kilnClay piggy banks are a tradition in Nicaragua and it is not unusual to see an entire kiln load of them. I was told that Nica children receive clay piggy banks (without holes in the bottom) on their birthdays and at the end of the year they break them, spend the money, and are given a new one. Sounds like a potter’s dream, doesn’t it?

pigs

I bought my first Nicaraguan piggy bank (the one of the left above) from a woman named Maria who lives on the side of a hill, on the way to the pottery at Loma Ponda (a regular stop for the annual Potters for Peace brigade). Maria has three jobs: farming, making clay piggy banks (the only clay work she does), and praying for the dead. About five years ago we visited Maria in the tiny house that her father built and that she shares with her sister, Marta. Maria had just unloaded the barrel kiln that Potters for Peace had recently built for her and there were about a dozen piggy banks set out on a table. Each of Maria’s rough and ready pigs had their own charm and I chose this one because of the enigmatic expression on its face. Before she got a barrel kiln, Maria had fired her banks, one at a time, in the wood-burning cook stove in her kitchen but now that she had a kiln, she could fire several banks at a time and do it outside which is much healthier. This spring I got an update on Maria and Marta from Robert Pillers, the Nicaragua Director for Potters for Peace:

“Maria and Marta’s house fell in and a government program built them a new one. When we went there late last year I noticed that they were back to firing their pottery in the kitchen stove. In the past I had noticed an asthma inhaler hanging from a string from the ceiling so I said to myself, this can’t continue. So on the January brigade we built them a new barrel kiln, and when we went back in February, they had fired it and said they were happy with it.”

I bought the larger piggy bank (on the right above) from Ducuale Grande, a communal workshop where a group of women work together on throwing, handbuilding, burnishing and decorating, so that no one pot is made by a single person. For decoration they  use a slip-resist technique that Ann Schunior described in a previous post. On my last visit there, a voluptuous, polka-dotted piggy bank kept watching me as I walked around the little showroom. The look on its face reminded me of my sister’s Labradoodle dog, Cedar, but I still tried hard not to buy it because it seemed too large and fragile to make it home in one piece. In the end I succumbed and that piggy bank travelled from Nicaragua to Toronto (Ontario), then on to Moncton (New Brunswick) and finally to Vancouver (BC) without even getting scratched.

Now the two piggies, one humble and unassuming and one more sophisticated but still a bit needy, sit together on the windowsill in my kitchen and watch me live life as I know it. I look at them often but I still can’t figure out what they’re thinking.

Sad news about Peder Kolind, founder of Mi Museo

Posted by Patty Osborne
Peder Kolind, founder of Mi Museo in Granada, Nicaragua.

Peder Kolind, founder of Mi Museo in Granada, Nicaragua.

It’s a sad time in Nicaragua as Danish-born Peder Kolind, who established Mi Museo (among his many other projects), passes.

funeral-pots_0Mi Museo, houses Kolind’s pri­vate col­lec­tion of pre-Columbian pot­tery and arti­facts, including fertility icons, jew­el­ery, volup­tuous funeral urns and pots cov­ered with faded paint­ing. Peder Kolind also ran Carita Feliz, a non-profit group that works with under­priv­i­leged chil­dren in Nicaragua.

Read a touching tribute to him here: http://community.nicaraguadispatch.com/2015/06/19/remembering-peder-kolind/

Join our first-ever Fall Work Brigade!

Posted by Patty Osborne

truckPotters for Peace is pleased to announce that, due to many requests from our supporters, we are organizing a shorter, more intensive brigade that we are calling a Work Brigade. Our first Work Brigade, which will be 6 days long, will take place from November 22 to 28, 2015.

Description of the trip

This 6-day Work Brigade will build a kiln shed at El Calero, a pottery community near the town of San Juan de Limay. During our 4 days onsite, participants will be welding, measuring, cutting, digging, lifting and engaging in other construction activities.

Cost of trip

Your fee of $950 covers everything except airfare to Nicaragua and personal purchases while there.

Tentative Itinerary

Day 1: Arrive in Managua, pickup from airport, brief orientation, dinner and overnight stay in Managua.

Day 2-4: Breakfast, travel 3 1/2 hours by van to El Calero. Each day we will be at El Calero until 4 pm. We will eat dinner and sleep at San Juan de Limay. We will be staying in a community building and sleeping on cots. This is definitely NOT a hotel; the experience will be more like camping out. Transport between El Calero and San Juan de Limay will be by pickup truck.

Day 5: Return to Managua.

Day 6: Airport and home.

Download our information packet.
Download and fill out our registration form.
Contact Abby Silver (abby@pottersforpeace.org) for further information.

Don’t miss this chance to get your hands dirty while you experience life in a tiny Nicarguan pueblo!

Watch “Road to Hope” on Youtube

Posted by Patty Osborne

Now everyone can watch “Road to Hope,” the heartwarming video about how and why Potters for Peace was established and how the people of Nicaragua have benefited from our help. It includes interviews with the founders of PfP, with the late Ron Rivera and with some of the many potters that we work with. We have been selling copies of this video from our online store but recently the video was uploaded to Youtube. Guaranteed to put a smile on your face!

Here’s the link:

Thanks to Hamilton (Ontario) Potter’s Guild

Posted by Abby Silver

Potters for Peace would like to thank the Hamilton Potter’s Guild (http://www.hamiltonpotters.ca/) for a generous grant to help the potters of El Ojoche, Nicaragua.  The funds will go to help complete their new workshop, which still lacks doors and windows.  Any remaining funds will go towards their wheel-throwing training, which has been very successful to date.  Your contribution makes a huge difference to these remote rural potters!

The new workshop in El Ojoche

The new workshop in El Ojoche

The women potters of El Ojoche

The women potters of El Ojoche

Working on the wheel, El Ojoche

Working on the wheel, El Ojoche

Thanks Elinor! And best wishes to all for a wonderful 2015!

Posted by Abby Silver

Thanks, Elinor, for supporting Potters for Peace and the potters of Nicaragua!

Our wonderful, intrepid volunteer Elinor Maroney is back home in Washington after a year in Nicaragua.  Once her brigade ended in February 2014, she re-visited each community to work  intensively for one or two weeks.  This type of peer to peer mentoring is invaluable to all artists, and particularly those who live in isolated villages as do the Nica potters we work with.

Elinor in El Calero

Throwing pots on a kick wheel while Teodora watches at El Calero

Trying Obvara raku with Pedro and Douglas in La Maysuta

Trying Obvara raku with Pedro and Douglas in La Maysuta

Saying good-bye to Consuelo, Sindy and Isidro in Santa Rosa

Saying good-bye to Consuelo, Sindy and Isidro in Santa Rosa

Elinor, we wish you the best!

 

 

 

Documenting the last surviving Motu Potter in Boera Village

Posted by Abby Silver
Tomás Dietz  is and Australian-born a flamenco dancer/teacher by profession who has  Scottish, German and Motu (Papua New Guinea) heritage. Tomás is raising money to document the Motu ceramic tradition.  To contribute to his efforts, follow this link:  http://igg.me/at/motupottery/x/434542

Vabu Lohia Muri

Vabu Lohia Muri— ​Boio​ ​Moi​—​the last surviving Motu potter in Boera village

I’m calling out to the ​international ​community to support a project of cultural preservation, revival and development of traditional Motu pottery in Papua New Guinea, under ‘Project Gida’ at Boera Village. The field work is essentially to document the knowledge and oral history of the last surviving Motu potter in Boera village. The outcome would be to produce a detailed technical training video as well as a general interest video about traditional Motu pottery.Using this information I would investigate and implement educational programs to return relevance of this tradition to modern Motuans, to bring about a renewed source of meaning, artistry and pride, and therefore a revival of its practice.​ At the core of ​these ​programmes ​will be to establish a Motu Pottery Society​ that would be ​managed by women, ​since they are ​​the traditional ​practitioners and owners ​​of pottery in Motu culture. I also plan to launch activities in communities abroad where Motu Koita people have settled, thereby introducing an international chapter into this Project and thus developing another opportunity for cross-cultural experience for a broad spectrum of communities across the globe.

borea pot

Motu ‘hodu’, a traditional water-pot

Project Gida is ​the umbrella plan. It is ​non-profit, community-oriented, and specifically implemented to preserve and revive ​all identified ​fading traditions of the Motu people.​  ​Cultural strength equates with social stability. ​Thus, it will provide long-term ​and deeply rooted ​cultural well-being to the thousands of Motu people in PNG’s Central Province as well as to those living abroad. It promises to provide further significant flow-on benefit to the community at large in terms of cross-cultural education and tourism.

I am implementing this project on my own steam, and so I am hoping to receive donations from my community to help enable this important project.

ALLOCATION OF FUNDS:
Funds will be used primarily to buy airfares and visas to take a small documentary team of 4 people from Sydney to Boera. It’s hoped that funds will be sufficient to cover other project expenses, such as accommodation, food, materials and equipment, and field work vehicle hire.  Boera is a relatively isolated Motu village about an hour’s drive from Port Moresby. It once had a thriving pottery industry and was one of the most prolific centres of high quality pottery production until about the early 1950s when the process of westernisation brought this ancient industry to an end. Sadly, the situation was reflected in all the Motu villages, including Hanuabada, Porebada and Manumanu and to my knowledge, no attempts have yet been made to implement any programs of cultural preservation in this field .That​’​s why I​’​ve stood up and have made the commitment to make ​a difference. I am Australian, of Motu descent,​ so I am personally driven to ensure the success of this endeavour. But I represent all people who value world heritage, and I will not sit by and watch this ancient heritage die without doing something about it.

To find out more, and to make your donation, please visit the special Indiegogo Campaign by clicking on this link: http://igg.me/at/motupottery/x/434542

The Potter Writes Again – Elinor in Nicaragua

Posted by Abby Silver

Intrepid PFP volunteer Elinor Maroney is in the home stretch of her year working with Nicaraguan potters.  The following is excerpted from her full blog post at http://www.nicaragua-community.com/potter-writes/ .

When I arrived at the studio [in La Maysuta] Don Domingo was not there, but the three other potters were….We went up the hill and down the other side to Domingo’s house about 4:00pm and sat and tried to talk till dinner at 7:00pm. They always seem to suspect me and don’t really understand what I can share with them since I can’t talk to them much in Spanish. I know lots of words – and all the words that relate to clay! – but a conversation is very difficult because I can’t hear the words and process them fast enough. Domingo began to write questions for me and that does help.

Don Domingo's house

Don Domingo’s house

It took the kids a few days to warm up to this old lady who can’t talk to them. We did a pottery class this morning in the studio when none of the other potters was around. Probably used quite a bit of their precious hand processed clay, but had a good time – and it broke the ice.

Monday, October 21 already! [Son] Ricardo finally made two small houses in one morning! His usual work is a detailed “castle” with tile roof and many doors and windows – at least three stories tall – and he works on one piece for a full day. His tile roofs are to die for! He uses an umbrella stay sharpened in a certain way and has developed a technique to make the tiles look real – but in miniature. I brought him pictures of houses and churches so he would have a reference. I am so glad he is making smaller pieces. There is no way he can be paid for the time it takes to make one of his creations. And they are so fragile it is hard to transport them.

Ricardo's delicate castle - unfired

Ricardo’s delicate castle – unfired

Ricardo's charming smaller houses - unfired

Ricardo’s charming smaller houses – unfired

We have added a new low fire technique – Obvara Raku Firing. I found it on the Ceramic Arts Daily web site.  A pottery teacher in Texas has discovered an ancient European technique where the red hot pot is dipped in a solution of flour, sugar, yeast and water to make a piece look antique. It was developed to seal the pots so they are more water resistant.  It seems to be the newest American raku technique….Finally the day of the firing arrived! We filled an old barrel with already fired pieces adding sawdust and other organic materials, etc. Then we cleaned out an old bread oven kiln so we could pull pieces out and put them into sawdust, the flour/sugar/yeast mixture or touch them with horsehair or feathers.

Pablo helps take hot pots from the flaming kiln.

Pablo helps take hot pots from the flaming kiln.

The furiously burning kiln

The furiously burning kiln

 

 

 

 

 

New Filter Factory in India

Posted by Patty Osborne

contest winnersMichelle Zucker, a student at Penn State, and Emily Saunders, a student at Cal Poly San Luis Obispo, have won US$10,000 and up to US$25,000 of in-kind staff time to support implementation of a project in India that will reactivate an abandoned factory as a water filter factory and a start-up community factory, providing migrant workers with access to clean water, self-grown food and native materials for building shelters. Michelle and Emily worked closely with Potters for Peace in preparing their contest entry and they will be collaborating with us on the implementation of this project.

The contest was sponsored by AECOM, a company that works to create, enhance and sustain the world’s built, natural and social environments.

Help us do more of this kind of work by donating to our CLEAN WATER FOR ALL CAMPAIGN: https://fundly.com/clean-water-for-all.

Join our Fundraising Campaign: Clean Water for All

Posted by Patty Osborne

We’ve just launched a special fundraising campaign that we’re calling CLEAN WATER FOR ALL and we hope that everyone out there will help us spread the word.

using a ceramic water filterFunds from this campaign will go toward establishing more filter factories throughout the world and sending a delegate to the 2015 World Water Forum in Korea so that we can raise the profile of the mighty Ceramic Water Filter.

To donate follow this link: https://fundly.com/clean-water-for-all.

OR you can use the DONATE button on the right and include the note “Clean Water for All.”

OR you can send us an old-fashioned check and we’ll add it to our total. Checks should be made payable to Potters for Peace and mailed to:
Abby Silver, US Director,
PO Box 2214, Boulder CO
80306

Please spread the word about our campaign to take over the world, one water filter at a time!

Filter Demo + PFP featured at Moore College in Philadelphia

Posted by Abby Silver

PFP filter specialist Mike Stubna will be conducting a filter making demo at The Clay Studio in Philadelphia, in conjunction with an exhibition at Moore College that features the filter.

FREE WORKSHOP:  August 1, 5pm – 8pm  http://www.theclaystudio.org/participate/events.php?id=513

EXHIBITION:  Interchange at Moore College of Art & Design Goldie Paley Gallery  June 14 – August 23, 2014 http://moore.edu/the-galleries-at-moore/exhibitions/current-exhibitions

PFP Exhibition at Moore College

PFP Exhibition at Moore College

Peter Chartrand’s Progress

Posted by Abby Silver

As regular readers will know, a long-time member of Potters for Peace, and our previous US Director, Peter Chartrand, has encountered some health issues, but things are looking up. Here’s what Peter wrote recently: “I’m doing well, responding to my chemo program with cancer indicators going steadily down and my back and fractured bones are knitting well. I can drive limited distances, walk a few blocks etc., sold my hard riding Toyota truck and bought a Honda CR-V. I bought a small electric kiln and hope to start firing soon.”

El Ojoche- making adobe bricks

Posted by Abby Silver

Elinor Maroney is spending a year volunteering with the Nicaragua program.  We will be posting excerpts from Elinor’s journal.   At the time of this writing, she is in the remote village of El Ojoche helping the potters with their throwing skills.  I have excerpted a section about making new adobe bricks for an addition to the group studio:

The trail from Rosa’s house to the studio is different now and makes a longer detour since the Brigade helped excavate an area for a new studio addition. The area we excavated with pick, heavy metal bar and shovel is now filled with 700 adobe building blocks the women potters have made since we were here a month ago. The women were processing clay by putting it in water, breaking up the largest lumps with their hands and then putting it through a screen into a settling tank. They said it takes about 8 days to dry out to where they can use it.

bricks and clay  slaking clay

In the evening I watched while some young men cobbled together a pipe hook-up with a coke bottle in the middle that pumped water down to the studio. One of them pumped for about an hour while the other two carried the buckets of water to a clay pit nearby.

drawing water

While I ate breakfast I realized the crew was back pumping water to the studio. I had checked it out last night and they were putting water into a pit full of adobe they had shoveled near the studio. This morning they are using that adobe clay mixed with some tall grass chopped into small pieces with a machete and filling the mold over and over. This morning it is two young guys and their dad – family of one of the potters. Before the day was over they had made another 110 adobe bricks.

making bricks

Concepcion’s sons had blisters on their hands and bruises on their shoulders from carrying the buckets full of adobe from the pit to the mold. It was her husband and sons who made the adobe bricks. One of the young boys was in the pit in clay up to his knees. He shoveled the clay up the side of the pit into a 5-gallon bucket. His brother carried the bucket to the mold across the studio and dumped it onto a piece of burlap while the father filled the mold with his hands and smoothed the top with water. The mold was lifted and moved over for the next filling. They worked until the pit was empty.

 

 

Cambodia filter factory fulfilling Ron Rivera’s dream

Posted by Patty Osborne

A brief report by Ron’s daughter, Ana Gabriela Power, about a visit she made to a factory in Cambodia:

Today I visited one of the water filter factory in Cambodia, the one that was named in memory of Ron. The factory is a social enterprise, and goes from manufacturing the filter to marketing it to the families and linking lower income families with micro-credit.

both

Sculpture of Ron Rivera.

Sculpture of Ron Rivera.

This is a version of what Ron dreamed the filter business would look like: although they were originally set up by an NGO, now they run as a business. At the factory there is a sculpture of Ron’s face that made me smile. Apparently it was made using the same technique that Cambodians use to commemorate kings.

For more information about this enterprise, visit www.hydrologichealth.com.

2014 Brigade Blog by Ann Schunior – part 5, Pre-Columbian pottery

Posted by Abby Silver

I found this sentence in a blog recently: Ceramics and pottery is a large and historical tradition in Nicaragua. The history of pottery dates back to the Spanish Conquest, 2,500 years ago. (http://nicaraguaviva.wordpress.com/2012/09/13/ceramics-pottery/)

I gasp at the mistakes, grammatical and factual in those two sentences, but pottery had a tradition in Nicaragua long before the conquistadors arrived, somewhat less that 2,500 years ago. Indeed, the indigenous potters were probably lucky that the Spanish didn’t introduce European pottery here, as they did in Mexico. Glazes were not used anywhere in ancient America and Spanish glazes were lead-based. The introduction of lead-based glazes to Mexico has lead to a heritage of lead poisoning. In Nicaragua, present day potters continue to pot as their ancestors did, forming pots by hand, decorating with colored clays, and burnishing the surfaces to make them shiny and water-tight.

MiMuseo, Granada

MiMuseo, Granada

Pre-Columbian pot, Mi Museo, Granada

Pre-Columbian pot, Mi Museo, Granada

Funerary pots. Mi Museo, Granada

Funerary pots. Mi Museo, Granada

Pre-Columbian Museum of Condega

Pre-Columbian Museum of Condega

 

We loved seeing you at NCECA!

Posted by Abby Silver
NCECA 2014 is now history! Thanks to all who stopped by our booth and supported us in any way. Special thanks goes out to the following generous clay suppliers, who collectively donated over $1200 worth of tools and supplies for our Nicaraguan communities:
Cedar Height Clay – Resco
Ceramics: Art and Perception
Chinese Clay Art Corp.
Dirty Girls Pottery Tools
Euclid’s
Mecca Pottery Tools
Mudtools
Peter Pugger Mfg., Inc.
Publishing House New Ceramics
Rovin Ceramics
Royal and Langnickel Brush Mfg.
Sanbao Studio
Shimpo Ceramics
U.S. Pigment Corp.
Xiem Studio Tools
Apologies if we have neglected anyone. You all rock!

2014 Brigade Blog by Ann Schunior – Part 4, Santa Rosa

Posted by Abby Silver

Santa Rosa is one of the few agrarian co-operatives remaining from the Sandinista era. The co-op was formed in the ’80s by 30 families who had been displaced by the terror and chaos of the insurrection against Somoza and the US involvement. (Remember the Iran-Contra affair?) Today it consists of about 700 people who farm 3000 acres of land. All families must participate in the communal farm. No one can move into Santa Rosa unless they’ve lived therefor six months and have proven their work ethic. The community is far more prosperous than many we visited. We stayed overnight with Consuelo, Isidro and their extended family of potters.

Our home for a night.

Our home for a night.

Isidro (he throws) and Consuelo (she decorates) trying out a technique one of us showed them. I've never met a potter who doesn't enjoy seeing a new trick.

Isidro (he throws) and Consuelo (she decorates) trying out a technique one of us showed them. I’ve never met a potter who doesn’t enjoy seeing a new trick.

Where ever we went, the kids picked up clay and joined us. They are not separated from adults as they so often are in the US.

Where ever we went, the kids picked up clay and joined us. They are not separated from adults as they so often are in the US.

Tia is perhaps the most remarkable person we met. Deaf since birth, she communicates with enthusiasm through gestures and vocalizations. She's a potter, but prefers taking the family's work to market to sell. The rest of the family prefers potting to selling, so they leave the market to her. Here she prepares lunch for us. The kitchen is tiny, with a small table and wood stove. Nevertheless, they fed 10 of us bountifully. And they're using a lot of their own pottery.

Tia is perhaps the most remarkable person we met. Deaf since birth, she communicates with enthusiasm through gestures and vocalizations. She’s a potter, but prefers taking the family’s work to market to sell. The rest of the family prefers potting to selling, so they leave the market to her. Here she prepares lunch for us. The kitchen is tiny, with a small table and wood stove. Nevertheless, they fed 10 of us bountifully. And they’re using a lot of their own pottery.

Santa Rosa's pottery. The pot with the green leaves came home with me.

Santa Rosa’s pottery. The pot with the green leaves came home with me.

Ann Schunior Blog, Post #3 – Loma Ponda

Posted by Abby Silver

Loma Ponda: On the top of a mountain, an hour from Somoto, about a kilometer from the Honduran border. We travel by pick-up truck because the roads are too bad for the van. Then about a mile’s hike to the top of the mountain because the final road washed out a couple of years ago. Finished pots are carried down this road to market. Says the women:  “We have everything that supports us. Animals—pigs, chickens and a cow. The land provides clay and colors. Everything we need is here. God has provided.”

 A mile of hiking uphill. Their road washed out a couple of years ago


A mile of hiking uphill. Their road washed out a couple of years ago

 The view from their workshop. They’re bringing coffee to drink in their own pitcher and mugs.


The view from their workshop. They’re bringing coffee to drink in their own pitcher and mugs.

I’ve been there twice and have seen almost no men. The women say they don’t need them. They also say they are away working in the cities.

I’ve been there twice and have seen almost no men. The women say they don’t need them. They also say they are away working in the cities.

Their work is the surprise. They’ll make whatever they see. Visitors bring them magazines; they copy what’s in them. Some work is done on the wheel. Much is hand-build. The colorants come from different local clays. The pieces are burnished, not glazed.

Their work is the surprise. They’ll make whatever they see. Visitors bring them magazines; they copy what’s in them. Some work is done on the wheel. Much is hand-build. The colorants come from different local clays. The pieces are burnished, not glazed.

Brigade 2014 blog by Ann Schunior – part 2

Posted by Abby Silver

Nicaragua post 2: The resist and smoke decorations of the Ducuale Grande pottery co-operative near Condega. The women use chicken feathers to apply a resist design of clay mixed with ashes on already-fired pieces. The pots are carefully placed back in the kiln and smoked for a few minutes. The clay/ash mix is then washed off, exposing, beneath the slip,  red clay that hasn’t been exposed to the fire.

Once-fired pots waiting to be decorated

Once-fired pots waiting to be decorated

Using a feather to apply a resist of clay mixed with ashes

Using a feather to apply a resist of clay mixed with ashes

Decorated pieces before they're fired

Decorated pieces before they’re fired

Smoking in the kiln

Smoking in the kiln. The kiln is open on two sides. Pots can be taken in and out from either side.

This is how the kiln is unloaded

This is how the kiln is unloaded

After this firing, the resist (ash+clay) is washed off. The resist part stays red; the rest turns darker from exposure to smoke.

After this firing, the resist (ash+clay) is washed off. The resist part stays red; the rest turns darker from exposure to smoke.

Hearty soup with lots of vegetables is a typical (and delicious) Nicaraguan meal. The pots are very low fired, but can hold liquids because they’re burnished. It’s almost worth a trip to Nicaragua to eat a meal like this. . . home cooked food in home cooked pottery.

Hearty soup with lots of vegetables is a typical (and delicious) Nicaraguan meal. The pots are very low fired, but can hold liquids because they’re burnished. It’s almost worth a trip to Nicaragua to eat a meal like this. . . home cooked food in home cooked pottery.

Brigade 2014 blog by Ann Schunior – part 1

Posted by Abby Silver

Ann Schunior, one of the 2014 Brigadistas to Nicaragua, has put together some fabulous posts about the trip.  We’re sharing them with your on our blog, about one a week, so keep checking back for more of her insights and pictures!  Read on…..

I’m back from 2 weeks in Nicragua with Potters for Peace, where a group of seven American potters shared experiences and techniques with Nicaraguan potters. Benita Romero of La Paz Centro is the most traditional potter we visited. Benita makes comales—a clay pan for cooking tortillas—as the women in her family have for generations. She then taught us to make tortillas the same way she makes the pots—by patting them out with the palm of her hand. We made tortillas and ate them with queso blanco. The comales in the kiln were at least 18” across, though she also makes smaller ones.

Comales in the kiln

Comales in the kiln

Benita makes a comale

Benita makes a comale

Making tortillas in the comale

Making tortillas in the comale

Join Our 2014 Brigade

Posted by Abby Silver

The 2014 Brigade to Nicaragua will run from January 25 – February 8 and registration has begun.

Potters and non-potters alike are welcome to join this hands-on experience where we’ll visit, learn from, and work with indigenous Nicaraguan potters. The group will travel by minibus to remote pottery villages and stay in rustic hotels or, occasionally, with villagers.

This is a unique opportunity to immerse yourself in the culture and craft of this lovely country.

The fee is $1800 which includes all costs except airfare to and from Nicaragua and minor personal expenses. More information plus a registration package is available here.

Potters for Peace in the news

Posted by Abby Silver

Board member Haddie Hadachek of Black Bear Pottery in Brainerd, Minnesota, talks about Potters for Peace on her local TV news show. Click through on the title above to watch this 3-minute video.

Abby visits Nicaragua

Posted by Abby Silver
El Colero collective works on an order of 80 chicken water jars.

El Colero collective works on an order of 80 chicken water jars.

I went to Nicaragua in late June to visit our artisans and meet with our in-country staff.  It was an amazing time in an amazing, beautiful country traveling with and meeting wonderful people. The artists in every community continue to grow their craft and expand their markets. They also continue to appreciate and count on the help we provide and we continue helping the scattered communities network with each other.

We have hired a wheel-throwing expert (Carlos Humberto Silva Espinosa) from La Naranja to teach the potters of El Ojoche and El Colero to throw.  We are helping the potters of Ducoale get clay from the nearby potters of La Maysute.  And so it goes, as these craftspeople strive to improve their work, to gain exposure to larger markets, and to learn from one another.  It was a privilege to see it with my own eyes.  I hope you enjoy a few of the many pictures I took along the way!

Unloading a kiln at Ducuale Grande.

Unloading a kiln at Ducuale Grande.

 

The potters of El Ojoche get a throwing lesson.

The potters of El Ojoche get a throwing lesson.

The new shop at Las Curenas.

The new shop at Las Curenas.

Work of the Loma Panda potters.

Work of the Loma Panda potters.

Welcome Abby Silver!

Posted by Patty Osborne

abby-and-peterAfter eight years of hard work, Peter Chartrand has stepped down from his post as US Director of Potters for Peace and we are happy to welcome Abby Silver, a potter from Boulder, Colorado, to the position.

Abby was a production potter for many years and now works on large public art pieces. She has travelled extensively and has worked as both an employee and a volunteer with several community organizations. She is also a long-time supporter of Potters for Peace. We are confident that her skills and energy will be valuable assets for our organization.

Peter Chartrand will continue his filter work with Potters for Peace but please direct all inquiries, both about filters and on other matters, to abby@pottersforpeace.org and Abby will send them on to the appropriate Potters for Peace people.

At this time we would like to thank Peter for his hard work and dedication as the US “point person” for Potters for Peace and we look forward to working with him in future Ceramic Water Filter projects. Peter will remain a vibrant part of PfP in our filter program.

Abby’s full contact information is:
Potters for Peace
PO Box 2214
Boulder CO 80306
303-442-1253

Lenca pottery, Magu Cooperative, Honduras

bev2One of the groups we’ve given technical assistance to is the Magu Cooperativa in La Arada, Honduras near the border with El Salvador. They are keeping the Lenca tradition alive and well with their beautiful pieces using the traditional Lenca clay resist technique. They have grown in to a new studio and workshop. They employ women in the community to make and decorate pieces and have grown to the point that as of last week they were working to fill a 1,200 piece order. We’re proud of the work they produce and look forward to working with them in the future to help them implement some new design ideas they are working on.

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Cooperativa San Expedicto, Jinotega, Nicaragua

Cooperativa San Expedicto is a pottery co-op of women making black pottery in the style of Mata Ortiz, Mexico with a beautiful, rich black luster surface. This is a new group we are working with in the Department of Jinotega. Recently we had a workshop for the women in design and throwing on the wheel. They are a delightful group of women to work with, very energized and with lots of ideas.

Latest pictures from the Mokondini Women’s Pottery Cooperative

mokondito2Finishing up his work in Ha-Mashamba, Limpopo, South Africa working with the Mokondini Women’s Potter in partnership with the University of Virginia and University of Venda in South Africa,  Peter Chartrand sent on pictures of his work building a kiln for the group and working on clay/burn out material formulas for water filters. The women were great to work with!

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PfP at NCECA 2012

Posted by Patty Osborne
Board members and volunteers staff our tables at NCECA 2012.

Board members and volunteers staff our tables at NCECA 2012.

At the Potters for Peace tables at NCECA 2012 in Seattle, board members and volunteers spent the weekend fundraising and exchanging ideas and information with the many people who visited us. This is always a good fundraising opportunity and to those of you who supported us by entering the raffle (for a ceramic water filter), buying a t-shirt or a piece of Nicaraguan jewellery, or making a donation, thanks.

It was great to make personal contact with our supporters and to spread the word (in person) about our work with Nicaraguan potters, our brigades and our filter projects. See you at NCECA 2013!

For those of you whose eyes lit up when we described our unforgettable brigades, check our website in September for the dates and application form for our 2013 brigade.

Potters for Peace in Hand/Eye

Posted by Patty Osborne

Ann Schunior, one of the people who was part of our 2012 Brigade, has had an excellent article about Potters for Peace published in Hand/Eye magazine. The article describes our work with subsistence potters and is accompanied by a mini-slideshow.

Read the article and see the slideshow here.